How To Oil Pastel Drawing

There’s something about the way oil pastels sit on the paper, stubborn and proud, that makes me want to slow down and really see what I’m doing. I remember the first time I tried oil pastel drawing — it was on a rainy Saturday afternoon, and I had no idea where to begin. I had a set of oil pastels I’d bought on a whim. I thought, 'What if I just try this?' I didn’t expect it to become a new favorite medium, but I did expect the mess — and that’s exactly what happened.

Oil pastel drawing is a tactile, sensory experience. Unlike other mediums that require precise planning, oil pastels let you work with your instincts, layering colors and textures in ways that feel both spontaneous and intentional. I’ve found that the best results come from embracing the mess and learning how to control it. It’s not just about creating art — it’s about finding a process that feels deeply personal and rewarding.^[1]

If you're looking to explore oil pastel drawing, this guide is for you. I’ve walked through every step, from choosing the right tools to mastering color blending. I’ll tell you exactly what I’ve learned, from the first time I tried it — with a mess of paint on my hands — to the last time I created a piece that felt like it was alive. Let’s get started.^[2]

Choosing the Right Oil Pastels

As of September 2026, Oil pastels come in a wide variety of brands and qualities, so it's important to choose ones that offer a good range of colors and a smooth consistency. I personally prefer brands like Sennelier and Caran d’Ache for their rich pigments and firm texture. These pastels are easy to control and don’t break as easily as cheaper alternatives.

When buying, look for sets that include a good range of primary colors, as well as secondary and tertiary hues. A set with 24 or more colors is ideal for beginners. I’ve found that a 60-color set is great for more advanced projects, but I usually start with a smaller set so I can focus on learning the basics before expanding my palette.^[3]

One thing to note is that some pastels are harder and more brittle than others. I’ve learned that softer pastels are easier to blend but can leave more residue on your hands and clothing. I always keep a few paper towels nearby to wipe up any excess as I work.

Part of our Chalk paint techniques guide.

Preparing Your Workspace

I always lay out a large piece of paper or a canvas on a flat surface, and I make sure it's not near any fabric or clothing that I don’t want to stain. I also use an old tablecloth or a piece of cardboard to protect the surface beneath my work. It’s important to keep your workspace clean and organized to avoid distractions.

I keep all my materials within reach — my oil pastels, a few paper towels, and a small eraser. I’ve found that having everything close by helps me stay in the flow of my drawing and not get distracted by searching for tools. I also use a small ruler or measuring tape to help with straight lines and measurements.

The light in my workspace is crucial. I’ve found that working in natural light or using a bright lamp helps me see the colors more accurately. I always make sure there are no shadows or glare that might affect my work.

A clean workspace is the foundation of a great drawing.

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Starting with Basic Shapes and Lines

I begin my drawings with simple shapes and lines to create structure and form. I use a sharp point on the pastel to make clean, confident strokes. I find that starting with larger shapes helps me plan the composition of the piece and gives me a sense of direction.

I often start with a rough sketch using a pencil, but I’ve also found that I can sketch directly with the pastels. I use a light touch at first, so I can go over the lines later if needed. I’ve learned that it's okay to make mistakes in the early stages — I can always cover them up with more layers of color.

One of the most important things I’ve learned is to be patient. It can be tempting to jump into the details right away, but starting with simple shapes and lines allows me to build up the piece gradually. I’ve found that this method helps me stay focused and enjoy the process more.

“There’s something about the way oil pastels sit on the paper, stubborn and proud, that makes me want to slow down and really see what…”— Velvetchalk editors

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Layering and Building Color

I layer my pastels by applying light strokes first and then building up the color in successive layers. This method allows me to control the intensity of the color and achieve the desired effect. I’ve found that layering also helps me correct any mistakes I make along the way.

One of the things I love about oil pastels is that they blend well together. I use my fingers to blend the colors directly on the paper. I’ve found that this method creates a smooth, even transition between colors. I always make sure my hands are clean before blending, so I don’t smudge the pastels too much.

I’ve also experimented with using different tools for blending, such as a soft cloth or a brush. I’ve found that a soft cloth works well for large areas, while a brush is better for more detailed blending. I always test the method I’m using on a small area first to make sure it works for the piece I’m working on.

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Adding Texture and Depth

I use a variety of techniques to add texture and depth to my drawings. One of my favorites is using the tip of the pastel to create fine lines and details. I also use the side of the pastel to create broader strokes and add volume. I’ve found that using different angles and pressures with the pastel can create a wide range of effects.

I’ve also experimented with using salt or other textured materials to create interesting effects on the surface of the paper. I’ve found that salt works well for creating a grainy texture, and I usually apply it after the first layer of color. I wait until the salt has dried before applying the next layer, as it can dissolve the color if I’m not careful.

I always make sure to step back and look at my work from a distance to see how the texture and depth are working together. I’ve found that this helps me identify areas that need more definition or contrast. I also use a small eraser to lift some of the color and create highlights, which adds a sense of dimension to the piece.

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Finishing Touches and Final Adjustments

Once I’ve built up the layers and added texture, I take a step back and look at the piece as a whole. I’ve found that this helps me see where the colors might be too intense or where the composition might need more balance. I always make sure the focal point of the piece is clear and that the colors work well together.

I use a small eraser to lift some of the color in certain areas to create highlights. I’ve found that this technique adds a sense of light and depth to the piece. I also use a soft cloth to blend the colors together for a more seamless effect. I’ve found that this method works best on larger areas and helps create a smooth transition between colors.

One of the final steps I take is to protect the piece with a fixative spray. I’ve found that this helps prevent the pastels from smudging or fading over time. I always make sure to apply the fixative in a well-ventilated area and wait until it’s completely dry before handling the piece.

Finishing touches can transform a good drawing into a great one.

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Cleaning Up and Storing Your Materials

After completing a piece, I always take the time to clean up my workspace. I use paper towels to wipe away any excess pastel that might have gotten on my hands or table. I also make sure to wash my hands thoroughly, as the oils from the pastels can be difficult to remove if not cleaned properly.

I store my oil pastels in a cool, dry place away from direct sunlight. I’ve found that keeping them in a container or a box helps protect them from dust and keeps them organized. I also make sure to separate the colors so I can easily find the ones I need when I’m working on a new piece.

I’ve learned that it’s important to handle the pastels carefully to avoid breaking them. I always store them upright in a container rather than lying them down, as this helps keep them intact. I’ve also started labeling my containers with the names of the colors, which has made it much easier to find the right pastel when I need it.

How To Oil Pastel Drawing